This Floating Excrement Was Way Too Meaningful! It's the TV Disappointments of the Year.

Looking back, we consider the TV offerings of the past year, a handful of series emerge not for their excellence, but for their notable shortcomings. From awkward sequels to bafflingly bad documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this love/hate spin-off? Plagued with woeful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the third series started, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator declared this would be the final series. It ended on a low point; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Yet, fans undeniably had a hoot dissecting every single “wtf?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the least of this show's issues. The subject of a very rare no-star review, it was difficult to know where to start enumerating the flaws. The hilariously leaden dialogue? The tedious glorification of affluence and materialism? The seemingly deliberate procession of cliches? Acting so bad they felt borderline malicious? Let’s just say “all of the above” and forget about this series again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part docuseries which chuckled along at Sheen’s various episodes of reckless excess while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might induce should be reserved for the people who have had to suffer proximity with this charming but flippant narcissist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing dialects. But there were plenty of other problems. Primarily that it was just really dull; a conflict over narcotics territory between various cockney rogues which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain performatively enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s various forays into quaint lifestyle as intentional statements. But then you watch them and are forced to concede that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting “hacks” you’ll forget instantly. All supported by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be said about both Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for some reason, this three-part series opted not to explore them. Rather, the experience was like reading a sales brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up reeking of a programme that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that captured a generation? The pressure was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of celebrity friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart recruitment of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Rather, the series laboured awkwardly to find the right tone, lurching from strangely breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a discovery that could ruin society? Nope! This globe-trotting thriller about government agencies spying on – and eliminating – academics frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for sexual exploits as she prepared for her biggest feat yet. What on earth would possess her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Nicole Wells
Nicole Wells

Liam Anderson is a digital marketing specialist with over a decade of experience in SEO and web development, passionate about helping brands thrive online.